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4 long-roll processing with motion-picture labs, the twins had to ﬁnd a way of making their ﬁlm compatible with a standard stills lab. ’ Film resistance Brandon believes CineStill 800T came about because photographers have very limited options when shooting in artiﬁcial continuous light. ‘At a wedding, for example, most ﬁlm photographers end up switching to a combination of high-speed black & white ﬁlm and high ISO digital colour photography to capture low-lit receptions,’ he says. ’ Brandon reckons the success of CineStill 800T will help achieve a loftier goal, too.
This slight movement is enough to soften the image to reduce moiré patterning to the same extent as if an actual AA flter had been ftted. It is great to be able to offer photographers this choice in-camera. 12-million-pixel sensor at its heart, there is much more to explore in the K-S1 Flash Wi-Fi Battery life The maximum flash sync speed of the K-S1 is 1/180sec and the built-in pop-up flash has a power rating of 10m @ ISO 100. The K-S1 doesn’t have built-in Wi-Fi, but instead relies on a Flucard to connect with a smartphone or tablet.
I then reduced the Highlights slider to preserve the delicate highlight detail and raised the Shadows to bring out more shadow information. I also increased the Contrast slightly. 2 Tone Curve adjustment The default white balance setting looked rather cold, so I went to the white balance menu in the Basic panel and selected Daylight. I next went to the Tone Curve panel and applied the parametric settings shown here for a boost in contrast. I adjusted the tone range sliders to accentuate the contrast at the extreme highlight and shadow ends of the curve.