The Book of Travels: Genre, Ethnology, and Pilgrimage, by Palmira Brummett

By Palmira Brummett

This assortment assesses style, ethnology, and pilgrimage in a suite of disparate go back and forth narratives spanning the medieval to early smooth eras. It assesses the chances for cultural translation as tourists witness, craft, and picture wanted, nervous, and sacred lands.

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Extra resources for The Book of Travels: Genre, Ethnology, and Pilgrimage, 1250-1700 (Studies in Medieval and Reformation Traditions)

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6 What were the cultural familiarities that made communication or understanding across boundaries possible; and how does the author narrate those familiarities? By examining these questions, we propose to enter a dialog with other scholars in an attempt to refine our notions of genre; to question a sense of linear, progressive development from the medieval to the early modern era; and to examine the thematic emphases of travel narratives as they transcend the boundaries of region, state, and culture.

Goran Stanivukovic (New York: Palgrave Macmillan, 2007), 59–74, esp. 65, 68. 39 Nor is he the Venetian diplomat whose relazioni became a literary genre, combining the formulaic with the personalized. , Arthur Denner (Ithaca: Cornell University Press, 1993); Mustafa Soykut, Image of the ‘Turk’ in Italy: A History of the ‘Other’ in Early Modern Europe: 1453–1683, Islamkundliche Untersuchungen, Band 236 (Berlin: Klaus Schwarz Verlag, 2001); and Maria Pia Pedani-Fabris, Relazioni di Ambasciatori Veneti al Senato, v.

E. Peters, The Hajj: The Muslim Pilgrimage to Mecca and the Holy Places (Princeton: Princeton University Press, 1994); and Michael Wolfe, ed. , One Thousand Roads to Mecca: Ten Centuries of Travelers Writing about the Muslim Pilgrimage (New York: Grove Press, 1997). genre, witness, and time in the ‘book’ of travels 15 king’s rule to that of Alexander, or even that of Jesus Christ) and perhaps secure substantive material support in return. After all, maps and sets of maps composing itineraries were meant to show the way, to guide the imagination, to enhance the possibilities for salvation, and to reveal the identities of those who would and would not have access to heaven.

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